LOCRIAN präsentieren konkrete Informationen zu ihrem neuen Werk Return To Annihilation. Aufgenommen wurde dieses von Produzent Greg Norman in den Electrical Audio Studios, das Mastering übernahm Jason Ward.
Bei Return To Annihilation handelt es sich um ein Konzeptalbum, das aus zwei Teilen besteht. Als Release-Termin wird der 21. Juni 2013 angegeben. Das Album erscheint als CD, Doppel-LP sowie als digitale Downloadfassung.
1: Eternal Return
2: A Visitation From the Wrath of Heaven
3: Two Moons
4: Return to Annihilation
a. Into One Light
c. All Mineral in Upheaval
5: Exiting the Hall of Vapor and Light
6: Panorama of Mirror
7: Obsolete Elegies
b: Digression of Air
d: In Felsic Splendor
Zum Konzept äußerte sich Terrence Hannum folgendermaßen:
I think for the album concept we were inspired by Genesis´ Lamb Lies Down on Broadway and how it is a surreal narrative telling a story. We sought to make our own but we wanted to give our nod to the prog bands that inspired us; King Crimson or Yes with the multi-part songs.
So we had looked at the novel Dhalgren by sci-fi writer Samuel Delaney as a big influence too. How it is a circular narrative, ours is more of a mirror of itself, one that changes and shifts. It also borrows extensively from Walter Benjamin´s Arcades Project. Our story is about a cataclysm that changes the world and all manner of perception in two parts. I would say, the real and the perceived. And it is all told to you through a narrator, one who you cannot tell if he is asleep or dreaming or sleepwalking through this shifting landscape.
Part 1 begins at the end of a song whose lyrics discuss a dawn in which all of our monuments dissolved, the next track the wrath of heaven (a massive cataclysm) visits earth, then two moons appear in the sky (perhaps the most direct reference to Delaney´s novel but also an homage to Nick Drake). It ends with the first multi-part track Return to Annihilation, a more metaphysical description of the changes apparent in the world. One in which minerals work against man, there is only evolution. We also gain insight into that what we´ve been told may be unreliable as the narrator admits to noctambulism (sleepwalking). But it is intentionally unclear if this is his state or the state of everyone.
Part 2 is a view back through this mirror or lens of Part 1. We exit the hall or vapor and light and enter a panorama of mirror, the entire world as reflection. It ends with a four part piece about worshiping equilibrium in a world where it has been extinct (isostasy), discussing the qualities of the air that is now poisoned, witnessing the burial of urns (hydriotaphia) and finally awaking to awareness.
One of the things we wanted to accomplish was a sense of texture with mirrors, prisms, lenses, etc. being referenced in the sounds and tone. I think it does.